Doors - 7:00pm
Show - 8:00pm
All Ages
$25-$30 on sale Feb 18th 10am CT
All tickets subject to service fees
Carsie Blanton is a songwriter with hooks, chutzpah, and revolutionary optimism. A radical folk artist in the tradition of Woody Guthrie, her infectious melodies and lyrical wit keep listeners rapt while she conjures spirits of vaudeville, campfire singalongs, and punk rock. Blanton and her road-tested band deploy humor, camaraderie, and considerable musical muscle to enroll each audience in a rare vision of hope and solidarity.
In addition to writing and performing music, Carsie works as a political organizer and activist. In fall of 2025, she participated in the Global Sumud Flotilla, a direct action to bring humanitarian aid to Gaza by sailboat. In early October, after a month at sea, she was imprisoned in Israel for five days along with hundreds of her comrades.
Soon after, Blanton released The Little Flame, a song of solidarity covered widely on social media during her detention. The Little Flame features background vocals from Irish band Ye Vagabonds and Carsie’s Palestinian/New Zealander prison-mate Rana Hamida, and appears on her latest album, The Red Album Vol II.
After two decades spent on the road, Blanton has amassed a dedicated fan base and a small menagerie of viral hits, and regularly sells out mid-size venues across the U.S. and Europe. 2026 will find her touring heavily with her own band and in collaboration with Canadian folk-punk rabblerousers The Burning Hell, as well as continuing her organizing work with Artists Against Apartheid, Party for Socialism and Liberation and others.
“Beautiful, militant anthems.” - Ken Tucker, NPR’s Fresh Air
“Carsie Blanton is fighting fascism with big hooks and an even biggerheart.”
The Burning Hell is the ongoing musical project of songwriter Mathias Kom and multi-instrumentalist Ariel Sharratt, often including additional comrades and collaborators. Their densely populated genre-shifting songs are packed with an abundance of literary, historical, and pop-cultural forebears, heroes and villains, subjects and objects, stories and hooks. They move with heavy rhyme and a light step, incorporating a frequent fixation on apocalypse and ruin into work that celebrates participation in a mutually created, ever surprising, and even occasionally beautiful world. Which is to say they’re good dance partners and they want to dance with you.
Now based in the woods of rural Epekwitk (Prince Edward Island), The Burning Hell has famously ventured to every out-of-the-way island and inland neglected by the less adventurous, emphasizing presence and connection across latitudes, longitudes, and time, affirming a commitment to the political power of sharing music. It is a profoundly optimistic gesture delivered by way of killer tunes and joyful live performances.
When Mathias and Ariel aren’t on the road or in the studio with the band, they pursue art projects at the intersection of ecology and sound with their collective Idlefield Art Lab. Recent ventures have included mobile, solar-powered recording studios in Scotland and Canada, and off-grid recording projects in abandoned farms and lighthouses.